Demonstrating an unusual application of a CMOS NOR gate to implement a CMOS varactor controlled VCO, I explore the idea of circuit schematics as a music notation and how scholars and practitioners might create and analyze notations as part of the rich web of interactions that constitute current music practice.
The following pages provide context for the workshop and include links to contributions from my co-teacher, Martin De Bie. This includes pointers to various iterations of his 555 timer-based Textilo project.
This project will be expanded ongoingly with further relaxation oscillator schemes.
He also wrote several interesting books. The history and detailed design considerations are covered in a book he kindly made available as a PDF file before his death in 2012: http://www.designinganalogchips.com/_count/designinganalogchips.pdf
This style is not convenient for eTextile Appliqués which are most commonly single-sided and are based on cut traces rather than etched boards.
"I have recently completed building an electronic model of the 'growth net' principle and will now give a brief outline of its method of operation."
"What I described earlier as a common boundary now takes of the form of a moist fibre of cotton yarn connecting each input to the control grid of a pentode"
I tested this CMOS 555 breadboard version.
This informed suggested improvements to Textilo to Martin who came up with a textile layout which we used to teach during the audio workshop of e-textile Spring Break: https://www.youtube.com/watch?v=HdMsk6c3WGw
Alex blogged a great student perspective of this workshop.
I also brought along some PCB's which can be sewed to or pressed on Lego baseboards.