- David Wessel’s IRCAM
- Organized Entanglement: Fiber and Textile Arts, Science and Engineering
- Managing Complexity with Explicit Mapping of Gestures to Sound Control with OSC
- Notations for Performative Electronics: the case of the CMOS Varactor
- A Synthesizable Hybrid VCO using SkyWater 130nm Standard-Cell Multiplexers
- A Recipe using OSC Messages
- Birds of the East Bay 2020
- Exercising the odot language in Graphics Animation Applications
- C++ container output stream header file
- Programming
OSC and Gesture features of CNMAT's Connectivity Processor,
, Open Sound Control Conference, Berkeley, CA, (2004)
Scalable Connectivity Processor for Computer Music Performance Systems,
, International Computer Music Conference, Berlin, Germany, p.523-526, (2000)
Abstract
A Compact 120 Independent Element Spherical Loudspeaker Array with Programmable Radiation Patterns,
, Audio Engineering Society 120th Convention, Paris, France, p.Convention Paper No. 6783, (2006)
Abstract
A Digital Signal Multiprocessor and its Musical Application,
, 15th International Computer Music Conference, Ohio State University, p.17-20, (1989)
Advances in the Parallelization of Musical Applications,
, ICMC 2010, (2010)
Active Damping Of A Vibrating String,
, 6th International Symposium on Active Noise and Vibration Control, 2006/09/18, Adelaide, Australia, (2006)
Abstract
o.OM: Structured-Functional Communication between Computer Music Systems using OSC and Odot,
, FARM2016, Nara, Japan, (2016)
Abstract
An Open Architecture for Real-Time Audio Processing Software,
, Audio Engineering Society 107th Convention,, New York, NY, p.preprint #5031, (1999)
Abstract
An Open Architecture for Real-time Music Software,
, International Computer Music Conference, Berlin, Germany, p.492-495, (2000)
Abstract
Visualization, Editing and Spatialization of Timbral Resources using the OSE Framework,
, Audio Engineering Society 107th Convention, New York, NY, p.preprint #5027, (1999)
Abstract
OpenSoundEdit: An Interactive Visualization and Editing Framework for Timbral Resources,
, International Computer Music Conference, Ann, Arbor, Michigan, (1998)
Abstract
A 3D Graphical User Interface for Resonance Modeling,
, International Computer Music Conference, Ann Arbor, Michigan, (1998)
Abstract
Exploiting Parallelism in Real-Time Music and Audio Applications,
, Heidelberg, p.49-54, (1999)
Abstract
Guidelines for signal processing applications in C,
, C Users Journal, 1993, p.85(9), (1993)
Abstract
Joy of Hex and the Cordless Guitars of the Future,
, Identites de la Guitare Electrique, 05/18/2009, Paris, France, (2009)
Abstract
Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the Development of Electrosomatophones,
, Bodies of Knowledge BOK2016, 2016, UC Irvine, (2016)
Abstract
Download: qt9p66b2bj.pdf (1.88 MB)
Augmenting the Cello,
, New Interfaces for Musical Expression, Paris, France, p.409-413, (2006)
Abstract
Real-Time Inverse Transform Additive Synthesis for Additive and Pitch Synchronous Noise and Sound Spatialization,
, Audio Engineering Society 104th Convention, San Francisco, CA, (1998)
Abstract
Real-Time Additive Synthesis Controlled by a Mixture of Neural-Networks and Direct Manipulation of Physical and Perceptual Attributes,
, International Computer Music Conference, Aarhus, Denmark, p.362-363, (1994)
MacMix: Mixing Music with a Mouse,
, Proceedings of the USENIX Association Second Computer Graphics Workshop, 1986, Monterey, CA, USA, p.23-37, (1985)
Abstract
David Wessel’s Slabs: a case study in Preventative Digital Musical Instrument Conservation,
, SMC2016, 2016, Hamburg, (2016)
Abstract
“Old” is the new “New”: a Fingerboard Case Study in Recrudescence as a NIME Development Strategy,
, NIME, Daejeon Korea, (2013)
Abstract
Door Bleeper,
, Everyday Electronics, 10/1975, (1975)
Download: Pages from Everyday-Electronics-1975-10.pdf (285.72 KB)
Musical Applications of New, Multi-axis Guitar String Sensors,
, International Computer Music Conference, Berlin, Germany, p.543-546, (2000)
Abstract
Understanding Time in Distributed Music Systems,
, International Computer Music Conference (ICMC), Paris, France, (1984)
Abstract