David Wessel's Inventive Directorship of UC Berkeley's Center for New Music and Audio Technologies (CNMAT),
, The Journal of the Acoustical Society of America, 2017, Volume 141, Number 5, p.3560-3560, (2017)
Abstract
David Wessel’s Slabs: a case study in Preventative Digital Musical Instrument Conservation,
, SMC2016, 2016, Hamburg, (2016)
Abstract
Learning and Visualizing Music Specifications Using Pattern Graphs,
, International Society for Music Information Retrieval Conference, 2016, New York, (2016)
Abstract
Download: 280_Paper.pdf (972.85 KB)
Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the Development of Electrosomatophones,
, Bodies of Knowledge BOK2016, 2016, UC Irvine, (2016)
Abstract
Download: qt9p66b2bj.pdf (1.88 MB)
Specification Mining For Machine Improvisation With Formal Specifications,
, ACM : Computers in Entertainment (Musical Metacreation), 2016, Volume 14 Issue 3, (2016)
Abstract
Download: msm16.pdf (795.48 KB)
Learning and Visualizing Music Specifications Using Pattern Graphs,
, ISMIR 2016, New York, (2016)
Abstract
Download: 280_Paper.pdf (972.85 KB)
o.OM: Structured-Functional Communication between Computer Music Systems using OSC and Odot,
, FARM2016, Nara, Japan, (2016)
Abstract
Experimental Collective Experience,
, UC Irvine, (2016)
Abstract
Batera : Drummer Agent with Style Learning and Interpolation,
, Study Day On Computer Simulation Of Musical Creativity, 27/06/2015, University of Huddersfield, UK, (2015)
Abstract
Antony: A Reimagining,
, International Computer Music Conference, 25/09/2015, University of North Texas, Denton, TX, USA, (2015)
Abstract
Dynamic Message-Oriented Middleware with Open Sound Control and Odot,
, International Computer Music Conference, 25/09/2015, University of North Texas, Denton, TX, USA, (2015)
Abstract
An Accessible Platform for Exploring Haptic Interactions with Co-located Capacitive and Piezoresistive Sensors,
, TEI 2015, 2015, Stanford, California, (2015)
Abstract
Download: ColocatedSensorsTEI2015optim.pdf (394.59 KB)
Entrainment Accounts of Intra-action for Intermedia and Metabody Cybernetics.,
, Hacking Big Data Brother: From Biometrics to Intra-action, 07/2015, Madrid, Spain, (2015)
Abstract
Simple Synchronization for Open Sound Control,
, ICMC, Texas, (2015)
Abstract
Symbolic Music Similarity using Neuronal Periodicity and Dynamic Programming,
, Mathematics and Computation in Music, London, UK, (2015)
Abstract
New Tools for Aspect-Oriented Programming in Music and Media Programming Environments,
, International Computer Music Conference, 14/09/2014, Athens, Greece, (2014)
Abstract
Making the Most of Wifi: Optimisations for Robust Wireless Live Music Performance,
, New Instruments of Musical Expression, (2014)
Abstract
o.io: a Unified Communications Framework for Music, Intermedia and Cloud Interaction,
, ICMC, Athens, Greece, (2014)
Abstract
Sound Design as Human Matter Interaction,
, SigChi, 2013, Paris, France, (2013)
Abstract
Download: Sha_AltChi-198smaller.pdf (295.09 KB)
Sound, Vibration, and Retroaction in Deformable Displays,
, SIGCHI Workshop: Organic experiences: (re)shaping interactions with deformable displays, 04/2013, Paris/France, (2013)
Abstract
Download: CHI2013FreedDeformableSmaller.pdf (242.82 KB)
Agile Interface Development using OSC Expressions and Process Migration,
, NIME, Daejeon Korea, (2013)
Abstract
“Old” is the new “New”: a Fingerboard Case Study in Recrudescence as a NIME Development Strategy,
, NIME, Daejeon Korea, (2013)
Abstract
Colocated Surface Sound Interaction,
, SigCHI, Paris, France, (2013)
Abstract
The Paper FingerPhone: a case study of Musical Instrument Redesign for Sustainability,
, NIME 2012, 20/05/2012, Ann Arbor, Michigan, (2012)
Abstract
Download: 264_Final_Manuscript.pdf (383.3 KB)
Flexible Surfaces for Interactive Audio,
, Interactive Tabletops and Surfaces, 11/14/2012, Cambridge, MA, (2012)
Abstract