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Introduction: la guitare comme instrument d'imitation

Tue, 03/30/2010 - 13:55 — AdrianFreed
Following a hint from Hendrix who describes his electric guitar as a "public saxophone" we examine the history of guitar playing from the perspective of imitation.
  • Jimi Hendrix plays Public Saxophone in Berkeley in 1970
  • Jimi Hendrix Night Train 1965
  • Louis Armstrong - A Rhapsody in Black and Blue (1932)
  • Django Reinhardt - J'attendrai 1939
  • John Renbourn plays "Lord Franklin" using single string melodic arrangement
  • John Renbourn teaches DADGAD "Sandwood down to Kyle"
‹ Les Joies de l’Hexaphonie et les Guitares sans cordes de l’avenir up Jimi Hendrix plays Public Saxophone in Berkeley in 1970 ›
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  • Analog and Digital Sound Synthesis as Relaxation Oscillators
  • Class Syllabi
  • Les Joies de l’Hexaphonie et les Guitares sans cordes de l’avenir
    • Introduction: la guitare comme instrument d'imitation
      • Jimi Hendrix plays Public Saxophone in Berkeley in 1970
      • Jimi Hendrix Night Train 1965
      • Louis Armstrong - A Rhapsody in Black and Blue (1932)
      • Django Reinhardt - J'attendrai 1939
      • John Renbourn plays "Lord Franklin" using single string melodic arrangement
      • John Renbourn teaches DADGAD "Sandwood down to Kyle"
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