Demonstrating an unusual application of a CMOS NOR gate to implement a CMOS varactor controlled VCO, I explore the idea of circuit schematics as a music notation and how scholars and practitioners might create and analyze notations as part of the rich web of interactions that constitute current music practice.
The following pages provide context for the workshop and include links to contributions from my co-teacher, Martin De Bie. This includes pointers to various iterations of his 555 timer-based Textilo project.
This project will be expanded ongoingly with further relaxation oscillator schemes.
This style is not convenient for eTextile Appliqués which are most commonly single-sided and are based on cut traces rather than etched boards.
I discovered by accident that some folk from Greece published the same ideas in a professional technical journal in 1989 (attached). If you are a scholar of such things it is interesting to compare and contrast the modes of articulation in my vernacular engineering approach with those of the academic paper.