Publications

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“Old” is the new “New”: a Fingerboard Case Study in Recrudescence as a NIME Development Strategy, Freed, Adrian, Uitti Frances-Marie, Mansfield Sam, and MacCallum John , NIME, Daejeon Korea, (2013) Abstract
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An XML-based SDIF Stream Relationships Language, Wright, Matthew, Chaudhary Amar, Freed Adrian, Khoury Sami, Wessel David, and Momeni Ali , International Computer Music Conference, Berlin, Germany, p.186-189, (2000) Abstract
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Volumetric Visualization of Acoustic Fields in CNMAT's Sound Spatialization Theatre, Khoury, Sami, Freed Adrian, and Wessel David , Institute of Electrical and Electronics Engineers Visualization 98, Research Triangle Park, NC, p.439-442&562, (1998) Abstract
Volumetric Modeling of Acoustic Fields in CNMAT's Sound Spatialization Theatre, Khoury, Sami, Freed Adrian, and Wessel David , Audio Engineering Society 104th Convention, San Francisco, CA, (1998) Abstract
Volumetric Modeling of Acoustic Fields for Musical Sound Design in a New Sound Spatialization Theatre, Kaup, Arnold, Freed Adrian, Khoury Sami, and Wessel David , International Computer Music Conference, Beijing, China, p.488-491, (1999) Abstract
Visualizations and Interaction Strategies for Hybridization Interfaces, Freed, Adrian, MacCallum John, Schmeder Andy, and Wessel David , New Instruments for Musical Expression, Sydney, Australia, (2010) Abstract  Download: rbfi.pdf (9.11 MB)
Visualization, Editing and Spatialization of Timbral Resources using the OSE Framework, Chaudhary, Amar, and Freed Adrian , Audio Engineering Society 107th Convention, New York, NY, p.preprint #5027, (1999) Abstract
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uOSC: The Open Sound Control Reference Platform for Embedded Devices, Schmeder, Andy, and Freed Adrian , NIME, 05/06/2008, Genova, Italy, (2008) Abstract
Understanding Time in Distributed Music Systems, Freed, Adrian , International Computer Music Conference (ICMC), Paris, France, (1984) Abstract
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Towards a More Effective OSC Time Tag Scheme, Freed, Adrian , Open Sound Control Conference, 2004/07/30, Berkeley, CA, (2004)
The Tactus: a Tangible, Rhythmic Grid Interface Using Found-Objects, Mann, Yotam, Lubow Jeff, and Freed Adrian , NIME 2009, 03/06/2009, Pittsburgh, PA, (2009) Abstract
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Synthesis and control of hundreds of sinusoidal partials on a desktop computer without custom hardware, Freed, Adrian, Rodet Xavier, and Depalle Philippe , Fourth International Conference on Signal Processing Applications and Technology, 1993/04/16, Volume 2, Santa Clara, CA, p.1024-30, (1993) Abstract
Symbolic Music Similarity using Neuronal Periodicity and Dynamic Programming, Valle, Rafael, and Freed Adrian , Mathematics and Computation in Music, London, UK, (2015) Abstract
Spectral Line Broadening with Transform Domain Additive Synthesis, Freed, Adrian , International Computer Music Conference, Beijing, China, p.78-81, (1999) Abstract
Specification Mining For Machine Improvisation With Formal Specifications, Valle, Rafael, Donzé Alexandre, Fremont Daniel, Akkaya Ilge, Seshia Sanjit, Freed Adrian, and Wessel David , ACM : Computers in Entertainment (Musical Metacreation), 2016, Volume 14 Issue 3, (2016) Abstract  Download: msm16.pdf (795.48 KB)
Sound, Vibration, and Retroaction in Deformable Displays, Freed, Adrian , SIGCHI Workshop: Organic experiences: (re)shaping interactions with deformable displays, 04/2013, Paris/France, (2013) Abstract  Download: CHI2013FreedDeformableSmaller.pdf (242.82 KB)
Sound Design as Human Matter Interaction, Wei, Sha Xin, and Freed, Adrian Naveb Navid , SigChi, 2013, Paris, France, (2013) Abstract  Download: Sha_AltChi-198smaller.pdf (295.09 KB)
Second-order recursive oscillators for musical additive synthesis, Hodes, Todd, and Freed Adrian , International Computer Music Conference, Beijing, China, p.74-77, (1999) Abstract
Scalable Connectivity Processor for Computer Music Performance Systems, Avizienis, Rimas, Freed Adrian, Suzuki Takahiko, and Wessel David , International Computer Music Conference, Berlin, Germany, p.523-526, (2000) Abstract
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Recording, mixing, and signal processing on a personal computer, Freed, Adrian , Proceedings of the AES 5th International Conference: Music and Digital Technology, Volume 1, Los Angeles, p.165-172, (1987) Abstract