<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="6.x">Drupal-Biblio</source-app><ref-type>47</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Wessel, David</style></author><author><style face="normal" font="default" size="100%">Rimas Avizienis</style></author><author><style face="normal" font="default" size="100%">Freed, Adrian</style></author><author><style face="normal" font="default" size="100%">Wright, Matthew</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">A Force Sensitive Multi-touch Array Supporting Multiple 2-D Musical Control Structures</style></title>
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<secondary-title><style face="normal" font="default" size="100%">New Interfaces for Musical Expression</style></secondary-title></titles><keywords><keyword><style  face="normal" font="default" size="100%">High-resolution gestural signals</style></keyword><keyword><style  face="normal" font="default" size="100%">Pressure and force sensing</style></keyword><keyword><style  face="normal" font="default" size="100%">Touchpad</style></keyword><keyword><style  face="normal" font="default" size="100%">VersaPad</style></keyword></keywords><dates><year><style  face="normal" font="default" size="100%">2007</style></year><pub-dates><date><style  face="normal" font="default" size="100%">07/06/2007</style></date></pub-dates></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://portal.acm.org/citation.cfm?id=1279740.1279745</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">ACM</style></publisher><pub-location><style face="normal" font="default" size="100%">New York</style></pub-location><pages><style face="normal" font="default" size="100%">41-45</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">We describe the design, implementation, and evaluation with real musical use of a force sensitive multi-touch array of touchpads.  Each of the touchpads supports a three dimensional representation of musical material: two spatial dimensions plus a force measurement we typically use to control dynamics.  Our system uses 24 pads laid out in a ?brick wall? style array that fits nicely under the two hands.  We emphasize the treatment of gestures as sub-sampled audio signals.  This tight coupling of gesture with audio provides for a high degree of control intimacy.</style></abstract></record></records></xml>