- David Wessel’s IRCAM
- Organized Entanglement: Fiber and Textile Arts, Science and Engineering
- Managing Complexity with Explicit Mapping of Gestures to Sound Control with OSC
- Notations for Performative Electronics: the case of the CMOS Varactor
- A Synthesizable Hybrid VCO using SkyWater 130nm Standard-Cell Multiplexers
- A Recipe using OSC Messages
- Birds of the East Bay 2020
- Exercising the odot language in Graphics Animation Applications
- C++ container output stream header file
- Programming
A New Music Keyboard featuring Continuous Key-position Sensing and High-speed Communication Options,
, International Computer Music Conference, Berlin, Germany, p.515-516, (2000)
Abstract
CAST: CNMAT's Additive Synthesis Tools,
, (1998)
Improving Graphical User Interfaces For Computer Music Applications,
, Computer Music Journal, 1995, Volume 19, Issue 4, p.4-5, (1995)
Abstract
An audio oscillator using digital ICs,
, Electronics Australia, 01/1978, Volume 39, Number 10, p.53-4, (1978)
Abstract
Download: EA 1978-01 January_text.pdf (33.52 MB)
David Wessel's Inventive Directorship of UC Berkeley's Center for New Music and Audio Technologies (CNMAT),
, The Journal of the Acoustical Society of America, 2017, Volume 141, Number 5, p.3560-3560, (2017)
Abstract
Creating and Manipulating Sound to Enhance Computer Graphics I: Algorithms and Techniques,
, Siggraph 1996, (1996)
Abstract
New Media for Musicological Research and Education - The Country Blues in HyperMedia,
, 15th International Computer Music Conference, Ohio State University, p.109-112, (1989)
MacMix Manual,
, (1987)
Abstract
OSC Control of VST Plug-ins,
, Open Sound Control Conference, 2004/07/30, Berkeley, CA, (2004)
Abstract
Spectral Line Broadening with Transform Domain Additive Synthesis,
, International Computer Music Conference, Beijing, China, p.78-81, (1999)
Abstract
Visualizations and Interaction Strategies for Hybridization Interfaces,
, New Instruments for Musical Expression, Sydney, Australia, (2010)
Abstract
Download: rbfi.pdf (9.11 MB)
Dynamic, Instance-based, Object-Oriented Programming (OOP) in Max/MSP using Open Sound Control (OSC) Message Delegation,
, ICMC 2011, Huddersfield, England, (2011)
Abstract
Comparing Musical Control Structures and Signal Processing Strategies for the Augmented Cello and Guitar,
, International Computer Music Conference, New Orleans, LA, p.636-642, (2006)
Abstract
Bidirectional AES/EBU Digital Audio and Remote Power over a Single Cable,
, Audio Engineering Society 107th Convention, New York, NY, (1999)
Abstract
Composability for Musical Gesture Signal Processing using new OSC-based Object and Functional Programming Extensions to Max/MSP,
, New Interfaces for Musical Expression, 30/05/2011, Oslo, Norway, (2011)
Abstract
The Anti-Ergonomy of Instruments of Interaction,
, Stanford HCI Seminar, 09/2010, Stanford, CA, (2010)
Abstract
Synthesis and control of hundreds of sinusoidal partials on a desktop computer without custom hardware,
, Fourth International Conference on Signal Processing Applications and Technology, 1993/04/16, Volume 2, Santa Clara, CA, p.1024-30, (1993)
Abstract
Review of 3rd USENIX Graphics Workshop,
, World Unix and C, (1986)
Abstract
Sound, Vibration, and Retroaction in Deformable Displays,
, SIGCHI Workshop: Organic experiences: (re)shaping interactions with deformable displays, 04/2013, Paris/France, (2013)
Abstract
Download: CHI2013FreedDeformableSmaller.pdf (242.82 KB)
Music Programming with the new Features of Standard C++,
, International Computer Music Conference, Ann, Arbor, Michigan, p.244-247, (1998)
Abstract
Codevelopment of user interface, control and digital signal processing with the HTM environment,
, 5th International Conference on Signal Processing Applications and Technology, 1994/04/16, Volume 2, Dallas, TX, USA, p.1179-83, (1994)
Abstract
Le Blit - Video,
, Paris, France, (1984)
Music And Audio Technology Projects To Stir Your Imagination,
, Computer Music Journal, Volume 20, Issue 2, p.4-4, (1996)